A2 - Stigmata 02
- BPM
- 142
- Half-time
- 71
- Open Key
- 8m
- Energy
- 100/100
- Pop
- 0/100
- Length
- 4:53
- Released
- 1999
- Album
- Stigmata 2/10
- Genre
- Techno
- Loudness
- -4.4 dB
- ISRC
- DEW569930202
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- A2 - Stigmata 08original3A · 145
- A2 - Stigmata 09original2B · 144
- A2 - Stigmata 06original8A · 144
- A2 - Stigmata 07original2B · 145
- A2 - Stigmata 04original3A · 141
- A2 - Stigmata 05original3B · 143
At 142 BPM in B♭ minor (3A), A2 - Stigmata 02 is a driving up-tempo techno production. It reads as bright and euphoric. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 1999 production that still circulates in sets. More underground than 99% of Chris Liebing's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 96% of Chris Liebing's catalogue
- Energy:
- hotter than 90% of Chris Liebing's catalogue
- Tempo:
- faster than 82% of Chris Liebing's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is A2 - Stigmata 02 in?
A2 - Stigmata 02 by Chris Liebing is in B♭ minor, or 3A on the Camelot wheel.
What BPM is A2 - Stigmata 02?
A2 - Stigmata 02 runs at 142 BPM, a driving up-tempo track.
What mixes well with A2 - Stigmata 02?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is A2 - Stigmata 02 good for peak time?
With energy 100 out of 100 at 142 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 142 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More techno
More from Chris Liebing
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
