A2 - Stigmata 09
30s preview
- BPM
- 144
- Half-time
- 72
- Open Key
- 7d
- Energy
- 98/100
- Pop
- 0/100
- Length
- 4:18
- Released
- 2002
- Album
- Stigmata 9/10
- Genre
- Techno
- Loudness
- -7.3 dB
- Dynamics
- 9.9 dB
- ISRC
- DEW560230902
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- A2 - Stigmata 08original3A · 145
- A2 - Stigmata 06original8A · 144
- A2 - Stigmata 07original2B · 145
- A2 - Stigmata 04original3A · 141
- A2 - Stigmata 05original3B · 143
- A2 - Stigmata 01original3B · 211
At 144 BPM in F♯ major (2B), A2 - Stigmata 09 is a driving up-tempo techno production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2002 production that still circulates in sets. More underground than 99% of Chris Liebing's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 89% of Chris Liebing's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is A2 - Stigmata 09 in?
A2 - Stigmata 09 by Chris Liebing is in F♯ major, or 2B on the Camelot wheel.
What BPM is A2 - Stigmata 09?
A2 - Stigmata 09 runs at 144 BPM, a driving up-tempo track.
What mixes well with A2 - Stigmata 09?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is A2 - Stigmata 09 good for peak time?
With energy 98 out of 100 at 144 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 144 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
More techno
More from Chris Liebing
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
