Kronos A1 - Stigmata 10 by Chris Liebing cover art

Kronos A1 - Stigmata 10

Chris Liebing

30s preview

Key
3A · B♭ minor
BPM
143
Half-time
72
Open Key
8m
Energy
98/100
Pop
1/100
Length
4:32
Released
2003
Album
Stigmata 10/10
Genre
Techno
Loudness
-4.8 dB
Dynamics
8.1 dB
ISRC
DEW560331001

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Kronos A1 - Stigmata 10 runs 143 BPM in B♭ minor (3A), a driving up-tempo techno record. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2003 production that still circulates in sets. Faster than 84% of Chris Liebing's catalogue.

Energy:
hotter than 76% of Chris Liebing's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood15Dark
Groove62
Acoustic0
Instrumental47
Live11
Speech20

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Kronos A1 - Stigmata 10 in?

Kronos A1 - Stigmata 10 by Chris Liebing is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Kronos A1 - Stigmata 10?

Kronos A1 - Stigmata 10 runs at 143 BPM, a driving up-tempo track.

What mixes well with Kronos A1 - Stigmata 10?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Kronos A1 - Stigmata 10 good for peak time?

With energy 98 out of 100 at 143 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 143 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 143 — beatmatch without a big tempo pull.

More techno

#Track

More from Chris Liebing

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track