Gehoersturz II
30s preview
- BPM
- 144
- Half-time
- 72
- Open Key
- 9d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 5:32
- Released
- 2003
- Genre
- Hard Techno
- Loudness
- -3.9 dB
- Dynamics
- 7.4 dB
- ISRC
- DEH740300561
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Gehoersturz II is a driving up-tempo hard techno track in A♭ major (4B) at 144 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2003 production that still circulates in sets. More underground than 99% of O.B.I.'s catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- slower than 97% of O.B.I.'s catalogue
- Groove:
- less groove-driven than 95% of O.B.I.'s catalogue
- Brightness:
- darker than 84% of O.B.I.'s catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Gehoersturz II in?
Gehoersturz II by O.B.I. is in A♭ major, or 4B on the Camelot wheel.
What BPM is Gehoersturz II?
Gehoersturz II runs at 144 BPM, a driving up-tempo track.
What mixes well with Gehoersturz II?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Gehoersturz II good for peak time?
With energy 99 out of 100 at 144 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 144 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
More hard techno
More from O.B.I.
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
