Frequency Overload
- BPM
- 144
- Half-time
- 72
- Open Key
- 8d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 8:35
- Released
- 2008
- Genre
- Hard House
- Loudness
- -5.5 dB
- ISRC
- GBJLH0703733
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Frequency Overload is a driving up-tempo hard house track in D♭ major (3B) at 144 BPM. The mix is almost entirely instrumental. A 2008 production that still circulates in sets. More underground than 99% of Jody 6's catalogue.
- Brightness:
- brighter than 90% of Jody 6's catalogue
- Tempo:
- faster than 77% of Jody 6's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Frequency Overload in?
Frequency Overload by Jody 6 is in D♭ major, or 3B on the Camelot wheel.
What BPM is Frequency Overload?
Frequency Overload runs at 144 BPM, a driving up-tempo track.
What mixes well with Frequency Overload?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Frequency Overload good for peak time?
With energy 99 out of 100 at 144 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 144 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
More hard house
More from Jody 6
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
