Call Me
- BPM
- 145
- Half-time
- 73
- Open Key
- 3d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 5:50
- Released
- 2022
- Album
- Call Me, All Night
- Genre
- Techno
- Loudness
- -7.1 dB
- ISRC
- QMDA62268522
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Call Meoriginal10B · 145
At 145 BPM in D major (10B), Call Me is a driving up-tempo techno production. The feel is bright and euphoric. The mix is almost entirely instrumental. More underground than 99% of Marlon Hoffstadt's catalogue.
- Energy:
- hotter than 97% of Marlon Hoffstadt's catalogue
- Brightness:
- brighter than 81% of Marlon Hoffstadt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Call Me in?
Call Me by Marlon Hoffstadt is in D major, or 10B on the Camelot wheel.
What BPM is Call Me?
Call Me runs at 145 BPM, a driving up-tempo track.
What mixes well with Call Me?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Call Me good for peak time?
With energy 99 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 145 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More techno
More from Marlon Hoffstadt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
