
Ocean - Marlon Hoffstadt Remix
30s preview
- Key
- 9B · G major
- BPM
- 145
- Half-time
- 73
- Open Key
- 2d
- Energy
- 95/100
- Pop
- 46/100
- Length
- 3:57
- Released
- 2025
- Genre
- Techno
- Loudness
- -4.4 dB
- Dynamics
- 12.8 dB
- ISRC
- GBARL2501633
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 145 BPM in G major (9B), Ocean - Marlon Hoffstadt Remix is a driving up-tempo techno production. It reads as punchy, neutral in mood. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Less groove-driven than 91% of Marlon Hoffstadt's catalogue. For programming, treat it as a high-intensity peak cut.
- Reach:
- better known than 88% of Marlon Hoffstadt's catalogue
- Low end:
- more treble-tilted than 82% of Marlon Hoffstadt's catalogue
- Energy:
- hotter than 81% of Marlon Hoffstadt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Ocean - Marlon Hoffstadt Remix in?
Ocean - Marlon Hoffstadt Remix by Marlon Hoffstadt is in G major, or 9B on the Camelot wheel.
What BPM is Ocean - Marlon Hoffstadt Remix?
Ocean - Marlon Hoffstadt Remix runs at 145 BPM, a driving up-tempo track.
What mixes well with Ocean - Marlon Hoffstadt Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Ocean - Marlon Hoffstadt Remix good for peak time?
With energy 95 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 145 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More techno
More from Marlon Hoffstadt
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.