Leaving Earth
30s preview
- BPM
- 143
- Half-time
- 72
- Open Key
- 4d
- Energy
- 100/100
- Pop
- 2/100
- Length
- 6:37
- Released
- 2020
- Genre
- Techno
- Loudness
- -3.5 dB
- Dynamics
- 10.0 dB
- ISRC
- UKN6K2000535
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 143 BPM in A major (11B), Leaving Earth is a driving up-tempo techno production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Hotter than 87% of Julian Muller's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 83% of Julian Muller's catalogue
- Reach:
- more underground than 83% of Julian Muller's catalogue
- Low end:
- more treble-tilted than 79% of Julian Muller's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Leaving Earth in?
Leaving Earth by Julian Muller is in A major, or 11B on the Camelot wheel.
What BPM is Leaving Earth?
Leaving Earth runs at 143 BPM, a driving up-tempo track.
What mixes well with Leaving Earth?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Leaving Earth good for peak time?
With energy 100 out of 100 at 143 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
![Dream // [COLOR002] - Original Mix by Trym cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ac2044bfab407d58c8a1.webp){kind=small}
How to mix it
In 11B at 143 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 143 — beatmatch without a big tempo pull.
More techno
More from Julian Muller
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
