Geschwindigkeit ist nicht alles
30s preview
- BPM
- 143
- Half-time
- 72
- Open Key
- 3m
- Energy
- 100/100
- Pop
- 0/100
- Length
- 4:29
- Released
- 2007
- Album
- Gegen Den Strom
- Genre
- Hard Techno
- Loudness
- -2.6 dB
- Dynamics
- 9.3 dB
- ISRC
- DEH740700592
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo hard techno cut, Geschwindigkeit ist nicht alles sits in B minor (10A) at 143 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2007 production that still circulates in sets. More underground than 99% of O.B.I.'s catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- slower than 97% of O.B.I.'s catalogue
- Energy:
- hotter than 88% of O.B.I.'s catalogue
- Low end:
- more treble-tilted than 86% of O.B.I.'s catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Geschwindigkeit ist nicht alles in?
Geschwindigkeit ist nicht alles by O.B.I. is in B minor, or 10A on the Camelot wheel.
What BPM is Geschwindigkeit ist nicht alles?
Geschwindigkeit ist nicht alles runs at 143 BPM, a driving up-tempo track.
What mixes well with Geschwindigkeit ist nicht alles?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Geschwindigkeit ist nicht alles good for peak time?
With energy 100 out of 100 at 143 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Dream // [COLOR002] - Original Mix by Trym cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ac2044bfab407d58c8a1.webp){kind=small}
How to mix it
In 10A at 143 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 143 — beatmatch without a big tempo pull.
More hard techno
More from O.B.I.
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
