B2 - Stigmata 07
30s preview
- BPM
- 144
- Half-time
- 72
- Open Key
- 8m
- Energy
- 100/100
- Pop
- 3/100
- Length
- 4:45
- Released
- 2001
- Album
- Stigmata 7/10
- Genre
- Techno
- Loudness
- -5.3 dB
- Dynamics
- 11.7 dB
- ISRC
- DEW560130704
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- B2 - Stigmata 08original3B · 146
- B2 - Stigmata 06original9A · 143
- B2 - Stigmata 01original10B · 141
- B2 - Stigmata 09original8B · 147
- B2 - Stigmata 04original1A · 141
- B2 - Stigmata 05original10B · 143
A driving up-tempo techno cut, B2 - Stigmata 07 sits in B♭ minor (3A) at 144 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2001 production that still circulates in sets. Hotter than 96% of Chris Liebing's catalogue.
- Tempo:
- faster than 89% of Chris Liebing's catalogue
- Low end:
- more treble-tilted than 88% of Chris Liebing's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is B2 - Stigmata 07 in?
B2 - Stigmata 07 by Chris Liebing is in B♭ minor, or 3A on the Camelot wheel.
What BPM is B2 - Stigmata 07?
B2 - Stigmata 07 runs at 144 BPM, a driving up-tempo track.
What mixes well with B2 - Stigmata 07?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is B2 - Stigmata 07 good for peak time?
With energy 100 out of 100 at 144 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 144 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
More techno
More from Chris Liebing
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
