Analogon (Adam Beyer remix 01)
30s preview
- BPM
- 143
- Half-time
- 72
- Open Key
- 5m
- Energy
- 97/100
- Pop
- 2/100
- Length
- 8:25
- Released
- 2001
- Genre
- Techno
- Loudness
- -7.9 dB
- Dynamics
- 11.6 dB
- ISRC
- DEW560140302
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 143 BPM in D♭ minor (12A), Analogon (Adam Beyer remix 01) is a driving up-tempo techno production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2001 production that still circulates in sets. Groovier than 85% of Chris Liebing's catalogue. In a set it works best as a floor-filler.
- Tempo:
- faster than 84% of Chris Liebing's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Analogon (Adam Beyer remix 01) in?
Analogon (Adam Beyer remix 01) by Chris Liebing is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Analogon (Adam Beyer remix 01)?
Analogon (Adam Beyer remix 01) runs at 143 BPM, a driving up-tempo track.
What mixes well with Analogon (Adam Beyer remix 01)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Analogon (Adam Beyer remix 01) good for peak time?
With energy 97 out of 100 at 143 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 143 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 143 — beatmatch without a big tempo pull.
More techno
More from Chris Liebing
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
