A2 - Stigmata 07 by Chris Liebing cover art

A2 - Stigmata 07

Chris Liebing

30s preview

Key
2B · F♯ major
BPM
145
Half-time
73
Open Key
7d
Energy
96/100
Pop
0/100
Length
4:41
Released
2001
Album
Stigmata 7/10
Genre
Techno
Loudness
-7.3 dB
Dynamics
13.6 dB
ISRC
DEW560130702

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 145 BPM in F♯ major (2B), A2 - Stigmata 07 is a driving up-tempo techno production. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2001 production that still circulates in sets. More underground than 99% of Chris Liebing's catalogue. In a set it works best as a floor-filler.

Tempo:
faster than 96% of Chris Liebing's catalogue
Brightness:
darker than 85% of Chris Liebing's catalogue
Low end:
more treble-tilted than 82% of Chris Liebing's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood4Dark
Groove75
Acoustic0
Instrumental80
Live11
Speech17

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is A2 - Stigmata 07 in?

A2 - Stigmata 07 by Chris Liebing is in F♯ major, or 2B on the Camelot wheel.

What BPM is A2 - Stigmata 07?

A2 - Stigmata 07 runs at 145 BPM, a driving up-tempo track.

What mixes well with A2 - Stigmata 07?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is A2 - Stigmata 07 good for peak time?

With energy 96 out of 100 at 145 BPM, it works best as a floor-filler.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#Track

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 145 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 145 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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