tarde - vladimir dubyshkin remix
30s preview
- Key
- 9B · G major
- BPM
- 145
- Half-time
- 73
- Open Key
- 2d
- Energy
- 86/100
- Pop
- 16/100
- Length
- 5:10
- Released
- 2023
- Album
- tarde (remixes)
- Genre
- Minimal
- Label
- Nina Kraviz Music
- Loudness
- -6.3 dB
- Dynamics
- 9.2 dB
- ISRC
- QMBZ92311063
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tardeoriginal6A · 125
- tarde - nina kraviz psy mixoriginal10A · 141
- tarde - david löhlein amor mixoriginal3A · 148
- tarde - melchior productions ltd late mixoriginal9B · 125
- tarde - melchior productions ltd mixoriginal6A · 125
- tardeoriginal6A · 125
Against the original (6A at 125 BPM), this version runs 20 BPM faster and moves the key from 6A to 9B.
tarde - vladimir dubyshkin remix is a driving up-tempo minimal track in G major (9B) at 145 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 91% of Nina Kraviz's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- hotter than 87% of Nina Kraviz's catalogue
- Groove:
- less groove-driven than 85% of Nina Kraviz's catalogue
- Brightness:
- brighter than 82% of Nina Kraviz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is tarde - vladimir dubyshkin remix in?
tarde - vladimir dubyshkin remix by Nina Kraviz is in G major, or 9B on the Camelot wheel.
What BPM is tarde - vladimir dubyshkin remix?
tarde - vladimir dubyshkin remix runs at 145 BPM, a driving up-tempo track.
What mixes well with tarde - vladimir dubyshkin remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is tarde - vladimir dubyshkin remix good for peak time?
With energy 86 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 145 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More minimal
More from Nina Kraviz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
