Ping Pong Pineapple - Stanny Franssen Remix
30s preview
- Key
- 9B · G major
- BPM
- 141
- Half-time
- 71
- Open Key
- 2d
- Energy
- 100/100
- Pop
- 0/100
- Length
- 6:50
- Released
- 2003
- Album
- Ping Pong Pineapple (Remixes)
- Genre
- Techno
- Label
- Masters Of Disaster
- Loudness
- -12.6 dB
- Dynamics
- 12.3 dB
- ISRC
- DED710500081
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ping Pong Pineappleoriginal3A · 138
- Ping Pong Pineapple - Masters of Disaster Remixremix10A · 141
Against the original (3A at 138 BPM), this version runs 3 BPM faster and moves the key from 3A to 9B.
Ping Pong Pineapple - Stanny Franssen Remix: driving up-tempo techno, G major (9B), 141 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2003 production that still circulates in sets. More underground than 99% of Chris Liebing's catalogue. For programming, treat it as a high-intensity peak cut.
- Energy:
- hotter than 87% of Chris Liebing's catalogue
- Brightness:
- brighter than 85% of Chris Liebing's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Ping Pong Pineapple - Stanny Franssen Remix in?
Ping Pong Pineapple - Stanny Franssen Remix by Chris Liebing is in G major, or 9B on the Camelot wheel.
What BPM is Ping Pong Pineapple - Stanny Franssen Remix?
Ping Pong Pineapple - Stanny Franssen Remix runs at 141 BPM, a driving up-tempo track.
What mixes well with Ping Pong Pineapple - Stanny Franssen Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Ping Pong Pineapple - Stanny Franssen Remix good for peak time?
With energy 100 out of 100 at 141 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 141 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 141 — beatmatch without a big tempo pull.
More techno
More from Chris Liebing
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
