Ping Pong Pineapple by Chris Liebing cover art

Ping Pong Pineapple

Chris Liebing

Key
3A · B♭ minor
BPM
138
Open Key
8m
Energy
98/100
Pop
18/100
Length
5:23
Released
2002
Genre
Techno
Label
Masters Of Disaster
Loudness
-13.1 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo techno cut, Ping Pong Pineapple sits in B♭ minor (3A) at 138 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2002 production that still circulates in sets. Groovier than 91% of Chris Liebing's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 90% of Chris Liebing's catalogue
Energy:
hotter than 76% of Chris Liebing's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood10Dark
Groove77
Acoustic0
Instrumental95
Live9
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Ping Pong Pineapple in?

Ping Pong Pineapple by Chris Liebing is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Ping Pong Pineapple?

Ping Pong Pineapple runs at 138 BPM, a driving up-tempo track.

What mixes well with Ping Pong Pineapple?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Ping Pong Pineapple good for peak time?

With energy 98 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 138 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 98/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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