No termination date
30s preview
- BPM
- 138
- Open Key
- 8d
- Energy
- 97/100
- Pop
- 6/100
- Length
- 8:52
- Released
- 2024
- Album
- Have you ever retired a human by mistake?
- Genre
- Techno
- Label
- Warm Up Recordings
- Loudness
- -10.6 dB
- Dynamics
- 12.5 dB
- ISRC
- NLCK42410504
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
No termination date: driving up-tempo techno, D♭ major (3B), 138 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Faster than 86% of Oscar Mulero's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 86% of Oscar Mulero's catalogue
- Energy:
- hotter than 84% of Oscar Mulero's catalogue
- Groove:
- groovier than 75% of Oscar Mulero's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is No termination date in?
No termination date by Oscar Mulero is in D♭ major, or 3B on the Camelot wheel.
What BPM is No termination date?
No termination date runs at 138 BPM, a driving up-tempo track.
What mixes well with No termination date?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is No termination date good for peak time?
With energy 97 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 138 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More techno
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
