Same answers the rest of us want
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 3m
- Energy
- 85/100
- Pop
- 6/100
- Length
- 5:30
- Released
- 2024
- Album
- Have you ever retired a human by mistake?
- Genre
- Techno
- Label
- Warm Up Recordings
- Loudness
- -12.6 dB
- Dynamics
- 9.2 dB
- ISRC
- NLCK42410505
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Same answers the rest of us want: driving up-tempo techno, B minor (10A), 140 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Faster than 93% of Oscar Mulero's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 86% of Oscar Mulero's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 49%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Same answers the rest of us want in?
Same answers the rest of us want by Oscar Mulero is in B minor, or 10A on the Camelot wheel.
What BPM is Same answers the rest of us want?
Same answers the rest of us want runs at 140 BPM, a driving up-tempo track.
What mixes well with Same answers the rest of us want?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Same answers the rest of us want good for peak time?
With energy 85 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 140 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
![Temple - Ø [Phase] Remix by Len Faki cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/922f81155d8ccf3579d7.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
