The Real Schranz Part three A1 - Clau 03
- BPM
- 138
- Open Key
- 7d
- Energy
- 99/100
- Pop
- 1/100
- Length
- 5:53
- Released
- 2000
- Album
- The Real Schranz (Part 3)
- Genre
- Techno
- Loudness
- -9.8 dB
- ISRC
- DEW560010301
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 138 BPM in F♯ major (2B), The Real Schranz Part three A1 - Clau 03 is a driving up-tempo techno production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2000 production that still circulates in sets. Brighter than 88% of Chris Liebing's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 80% of Chris Liebing's catalogue
- Groove:
- groovier than 79% of Chris Liebing's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Real Schranz Part three A1 - Clau 03 in?
The Real Schranz Part three A1 - Clau 03 by Chris Liebing is in F♯ major, or 2B on the Camelot wheel.
What BPM is The Real Schranz Part three A1 - Clau 03?
The Real Schranz Part three A1 - Clau 03 runs at 138 BPM, a driving up-tempo track.
What mixes well with The Real Schranz Part three A1 - Clau 03?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is The Real Schranz Part three A1 - Clau 03 good for peak time?
With energy 99 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 138 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More techno
More from Chris Liebing
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
