Dark Matter by Chris Liebing cover art

Dark Matter

Chris Liebing

30s preview

Key
1A · A♭ minor
BPM
138
Open Key
6m
Energy
96/100
Pop
0/100
Length
4:54
Released
2003
Album
Evolution
Genre
Techno
Loudness
-9.6 dB
Dynamics
9.7 dB
ISRC
DEW560300014

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A driving up-tempo techno cut, Dark Matter sits in A♭ minor (1A) at 138 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2003 production that still circulates in sets. Brighter than 99% of Chris Liebing's catalogue. In a set it works best as a peak-time weapon.

Reach:
more underground than 99% of Chris Liebing's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood86Bright
Groove64
Acoustic2
Instrumental86
Live12
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Dark Matter in?

Dark Matter by Chris Liebing is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Dark Matter?

Dark Matter runs at 138 BPM, a driving up-tempo track.

What mixes well with Dark Matter?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Dark Matter good for peak time?

With energy 96 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#Track

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 138 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

More techno

More from Chris Liebing

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track