Styx - Synthappella
30s preview
- BPM
- 93
- Double-time
- 186
- Open Key
- 10d
- Energy
- 57/100
- Pop
- 3/100
- Length
- 7:20
- Released
- 2014
- Album
- Kerberos & Styx
- Genre
- Minimal
- Loudness
- -13.7 dB
- Dynamics
- 13.6 dB
- ISRC
- DEPI81400476
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Styx (Original Mix)original5B · 124
Styx - Synthappella runs 93 BPM in E♭ major (5B), a slow-groove tempo minimal record. The feel is dark and steady. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2014 production that still circulates in sets. Slower than 99% of Stephan Bodzin's catalogue.
- Groove:
- less groove-driven than 98% of Stephan Bodzin's catalogue
- Reach:
- more underground than 81% of Stephan Bodzin's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 39%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Styx - Synthappella in?
Styx - Synthappella by Stephan Bodzin is in E♭ major, or 5B on the Camelot wheel.
What BPM is Styx - Synthappella?
Styx - Synthappella runs at 93 BPM, a slow-groove tempo track.
What mixes well with Styx - Synthappella?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is Styx - Synthappella good for peak time?
With energy 57 out of 100 at 93 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 93 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 87-99 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 93 — beatmatch without a big tempo pull.
More minimal
More from Stephan Bodzin
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 93 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
