Summer Dayz
30s preview
- BPM
- 86
- Double-time
- 172
- Open Key
- 7d
- Energy
- 49/100
- Pop
- 0/100
- Length
- 3:47
- Released
- 2005
- Album
- Jamie Jones
- Genre
- Minimal
- Loudness
- -6.3 dB
- Dynamics
- 15.2 dB
- ISRC
- US4HM0500008
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Summer Dayz is a downtempo minimal track in F♯ major (2B) at 86 BPM. Tonally it lands bright and easy. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 2005 production that still circulates in sets. More underground than 99% of Jamie Jones's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- slower than 98% of Jamie Jones's catalogue
- Brightness:
- brighter than 90% of Jamie Jones's catalogue
- Low end:
- more treble-tilted than 84% of Jamie Jones's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Summer Dayz in?
Summer Dayz by Jamie Jones is in F♯ major, or 2B on the Camelot wheel.
What BPM is Summer Dayz?
Summer Dayz runs at 86 BPM, a downtempo track.
What mixes well with Summer Dayz?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Summer Dayz good for peak time?
With energy 49 out of 100 at 86 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 86 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 81-91 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 86 — beatmatch without a big tempo pull.
More minimal
More from Jamie Jones
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 86 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
