Judge Me (interlude)
30s preview
- Key
- 8A · A minor
- BPM
- 82
- Double-time
- 164
- Open Key
- 1m
- Energy
- 30/100
- Pop
- 20/100
- Length
- 1:56
- Released
- 2020
- Genre
- Minimal
- Loudness
- -8.3 dB
- Dynamics
- 14.1 dB
- ISRC
- GBARL2000284
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A downtempo minimal cut, Judge Me (interlude) sits in A minor (8A) at 82 BPM. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). More treble-tilted than 99% of Fred again's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 95% of Fred again's catalogue
- Groove:
- less groove-driven than 94% of Fred again's catalogue
- Energy:
- calmer than 82% of Fred again's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 20%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Judge Me (interlude) in?
Judge Me (interlude) by Fred again is in A minor, or 8A on the Camelot wheel.
What BPM is Judge Me (interlude)?
Judge Me (interlude) runs at 82 BPM, a downtempo track.
What mixes well with Judge Me (interlude)?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Judge Me (interlude) good for peak time?
With energy 30 out of 100 at 82 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 82 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 77-87 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 82 — beatmatch without a big tempo pull.
More minimal
More from Fred again
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 82 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
