Neal Cassady Starts Here by Fatboy Slim cover art

Neal Cassady Starts Here

Fatboy Slim

30s preview

Key
12A · D♭ minor
BPM
81
Double-time
162
Open Key
5m
Energy
44/100
Pop
1/100
Length
5:10
Released
1996
Album
Everybody Needs a 303 (Everybody Loves a Carnival)
Genre
Breaks
Loudness
-13.1 dB
Dynamics
14.3 dB
ISRC
GBBMQ9700046

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 81 BPM in D♭ minor (12A), Neal Cassady Starts Here is a downtempo breaks production. Tonally it lands dark and steady. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 1996 production that still circulates in sets. Less groove-driven than 99% of Fatboy Slim's catalogue. In a set it works best as a warm-up or breakdown cut.

Energy:
calmer than 97% of Fatboy Slim's catalogue
Tempo:
slower than 96% of Fatboy Slim's catalogue
Low end:
more treble-tilted than 96% of Fatboy Slim's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy44
Mood13Dark
Groove21
Acoustic49
Instrumental1
Live32
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
24%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Neal Cassady Starts Here in?

Neal Cassady Starts Here by Fatboy Slim is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Neal Cassady Starts Here?

Neal Cassady Starts Here runs at 81 BPM, a downtempo track.

What mixes well with Neal Cassady Starts Here?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Neal Cassady Starts Here good for peak time?

With energy 44 out of 100 at 81 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#Track

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 81 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 76-86 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 81 — beatmatch without a big tempo pull.

More breaks

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 81 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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