Brainwashed - Live: Fillmore West 30 Nov 1970 KSAN-FM Broadcast by Kink cover art

Brainwashed - Live: Fillmore West 30 Nov 1970 KSAN-FM Broadcast

Kink

30s preview

Key
7A · D minor
BPM
81
Double-time
162
Open Key
12m
Energy
52/100
Pop
0/100
Length
4:47
Released
2021
Album
Live in San Francisco 1970
Genre
Techno
Loudness
-13.0 dB
Dynamics
13.5 dB
ISRC
CA5KR0020282

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (7A at 149 BPM), this version runs 68 BPM slower in the same key.

A downtempo techno cut, Brainwashed - Live: Fillmore West 30 Nov 1970 KSAN-FM Broadcast sits in D minor (7A) at 81 BPM. It reads as balanced in mood. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of Kink's catalogue. For programming, treat it as an opener or closing-set piece.

Tempo:
slower than 96% of Kink's catalogue
Groove:
less groove-driven than 94% of Kink's catalogue
Energy:
calmer than 78% of Kink's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy52
Mood44Balanced
Groove31
Acoustic0
Instrumental17
Live16
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
26%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Brainwashed - Live: Fillmore West 30 Nov 1970 KSAN-FM Broadcast in?

Brainwashed - Live: Fillmore West 30 Nov 1970 KSAN-FM Broadcast by Kink is in D minor, or 7A on the Camelot wheel.

What BPM is Brainwashed - Live: Fillmore West 30 Nov 1970 KSAN-FM Broadcast?

Brainwashed - Live: Fillmore West 30 Nov 1970 KSAN-FM Broadcast runs at 81 BPM, a downtempo track.

What mixes well with Brainwashed - Live: Fillmore West 30 Nov 1970 KSAN-FM Broadcast?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Brainwashed - Live: Fillmore West 30 Nov 1970 KSAN-FM Broadcast good for peak time?

With energy 52 out of 100 at 81 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 81 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 76-86 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 81 — beatmatch without a big tempo pull.

More techno

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 81 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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