Till The End of the Day
30s preview
- BPM
- 83
- Double-time
- 166
- Open Key
- 7m
- Energy
- 65/100
- Pop
- 0/100
- Length
- 1:53
- Released
- 1969
- Album
- Pop Stars In Disguise
- Genre
- Techno
- Loudness
- -6.9 dB
- Dynamics
- 13.8 dB
- ISRC
- USY251965795
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Till the End of the Day (2014 Remaster)original8B · 141
- Till The End Of The Day - Live 1972original8B · 166
- Till The End Of The Day - Live: Fillmore West 30 Nov 1970 KSAN-FM Broadcastoriginal6A · 77
- TILL THE END OF THE DAY - MONOoriginal8B · 140
- TILL THE END OF THE DAY - STEREOoriginal8B · 140
- Till The End Of The Day - Live: Fillmore West, San Francisco 29 Nov '69original3B · 82
Till The End of the Day: downtempo techno, E♭ minor (2A), 83 BPM. The feel is bright and euphoric. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 14 dB). A 1969 production that still circulates in sets. More underground than 99% of Kink's catalogue. In a set it works best as an opener or closing-set piece.
- Groove:
- less groove-driven than 97% of Kink's catalogue
- Low end:
- more treble-tilted than 96% of Kink's catalogue
- Tempo:
- slower than 95% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 30%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Till The End of the Day in?
Till The End of the Day by Kink is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Till The End of the Day?
Till The End of the Day runs at 83 BPM, a downtempo track.
What mixes well with Till The End of the Day?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Till The End of the Day good for peak time?
With energy 65 out of 100 at 83 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 83 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 78-88 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 83 — beatmatch without a big tempo pull.
More techno
More from Kink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 83 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
