My Turn - Live at Sydney Opera House by Basement Jaxx cover art

My Turn - Live at Sydney Opera House

Basement Jaxx

30s preview

Key
7B · F major
BPM
84
Double-time
168
Open Key
12d
Energy
33/100
Pop
11/100
Length
5:10
Released
2024
Album
Orchestral II (Live in Australia)
Genre
Breaks
Label
Atlantic Jaxx
Loudness
-13.7 dB
Dynamics
13.6 dB
ISRC
GBEHB2400004

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (7B at 125 BPM), this version runs 41 BPM slower in the same key.

At 84 BPM in F major (7B), My Turn - Live at Sydney Opera House is a downtempo breaks production. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Slower than 98% of Basement Jaxx's catalogue.

Groove:
less groove-driven than 98% of Basement Jaxx's catalogue
Energy:
calmer than 97% of Basement Jaxx's catalogue
Brightness:
darker than 95% of Basement Jaxx's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy33
Mood10Dark
Groove23
Acoustic12
Instrumental0
Live67
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is My Turn - Live at Sydney Opera House in?

My Turn - Live at Sydney Opera House by Basement Jaxx is in F major, or 7B on the Camelot wheel.

What BPM is My Turn - Live at Sydney Opera House?

My Turn - Live at Sydney Opera House runs at 84 BPM, a downtempo track.

What mixes well with My Turn - Live at Sydney Opera House?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is My Turn - Live at Sydney Opera House good for peak time?

With energy 33 out of 100 at 84 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

#Track

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 84 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 79-89 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 84 — beatmatch without a big tempo pull.

More breaks

#Track

More from Basement Jaxx

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 84 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track