All You Ever Wanted (Sub Focus Remix)
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 3d
- Energy
- 67/100
- Pop
- 0/100
- Length
- 4:21
- Released
- 2021
- Genre
- Drum N Bass
- Loudness
- -3.8 dB
- Dynamics
- 14.8 dB
- ISRC
- GBARL2100253
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All You Ever Wanted (Sub Focus Remix) [Radio Edit]remix10B · 174
All You Ever Wanted (Sub Focus Remix): drum n bass, D major (10B), 174 BPM. It reads as dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). More underground than 99% of Sub Focus's catalogue. For programming, treat it as an opener or closing-set piece.
- Energy:
- calmer than 97% of Sub Focus's catalogue
- Groove:
- less groove-driven than 91% of Sub Focus's catalogue
- Low end:
- more treble-tilted than 90% of Sub Focus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is All You Ever Wanted (Sub Focus Remix) in?
All You Ever Wanted (Sub Focus Remix) by Sub Focus is in D major, or 10B on the Camelot wheel.
What BPM is All You Ever Wanted (Sub Focus Remix)?
All You Ever Wanted (Sub Focus Remix) runs at 174 BPM.
What mixes well with All You Ever Wanted (Sub Focus Remix)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is All You Ever Wanted (Sub Focus Remix) good for peak time?
With energy 67 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 174 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Sub Focus
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
