There’s Another Me by Innellea cover art

There’s Another Me

Innellea

30s preview

Key
8A · A minor
BPM
80
Double-time
160
Open Key
1m
Energy
58/100
Pop
11/100
Length
3:05
Released
2024
Genre
Downtempo
Label
[PIAS] Électronique
Loudness
-8.6 dB
Dynamics
10.8 dB
ISRC
GBENL2303741

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A downtempo downtempo cut, There’s Another Me sits in A minor (8A) at 80 BPM. Tonally it lands dark and steady. It leans atmospheric over strictly danceable. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 99% of Innellea's catalogue. For programming, treat it as an opener or closing-set piece.

Groove:
less groove-driven than 99% of Innellea's catalogue
Energy:
calmer than 77% of Innellea's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy58
Mood26Dark
Groove28
Acoustic16
Instrumental0
Live7
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is There’s Another Me in?

There’s Another Me by Innellea is in A minor, or 8A on the Camelot wheel.

What BPM is There’s Another Me?

There’s Another Me runs at 80 BPM, a downtempo track.

What mixes well with There’s Another Me?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is There’s Another Me good for peak time?

With energy 58 out of 100 at 80 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 80 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 75-85 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 80 — beatmatch without a big tempo pull.

More downtempo

More from Innellea

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 80 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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