I Had This Thing - Wolfgang Gartner remix
30s preview
- Key
- 6A · G minor
- BPM
- 127
- Open Key
- 11m
- Energy
- 96/100
- Pop
- 0/100
- Length
- 7:15
- Released
- 2014
- Album
- I Had This Thing
- Genre
- Downtempo
- Loudness
- -4.8 dB
- Dynamics
- 10.4 dB
- ISRC
- GBW231500002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Had This Thing - Colyn Remixremix6A · 124
- I Had This Thing [True Electric]original7A · 124
- I Had This Thing - Joris Voorn Radio Mixversion6A · 124
- I Had This Thing - Joris Voorn Dubversion6A · 124
- I Had This Thing - Solarstone Pure Mixoriginal6A · 136
- I Had This Thing - AM2PM Dubversion6A · 126
Against the original (7A at 124 BPM), this version runs 3 BPM faster and moves the key from 7A to 6A.
At 127 BPM in G minor (6A), I Had This Thing - Wolfgang Gartner remix is a peak-time tempo downtempo production. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2014 production that still circulates in sets. More underground than 99% of Röyksopp's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 97% of Röyksopp's catalogue
- Tempo:
- faster than 79% of Röyksopp's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is I Had This Thing - Wolfgang Gartner remix in?
I Had This Thing - Wolfgang Gartner remix by Röyksopp is in G minor, or 6A on the Camelot wheel.
What BPM is I Had This Thing - Wolfgang Gartner remix?
I Had This Thing - Wolfgang Gartner remix runs at 127 BPM, a peak-time tempo track.
What mixes well with I Had This Thing - Wolfgang Gartner remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is I Had This Thing - Wolfgang Gartner remix good for peak time?
With energy 96 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 127 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More downtempo
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Full profile
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
