Forsaken Cowboy - Radio Edit
30s preview
- BPM
- 157
- Half-time
- 79
- Open Key
- 8m
- Energy
- 51/100
- Pop
- 18/100
- Length
- 3:48
- Released
- 2010
- Album
- Forsaken Cowboy
- Genre
- Downtempo
- Label
- Wall Of Sound
- Loudness
- -14.2 dB
- Dynamics
- 12.1 dB
- ISRC
- GBG4U1100001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Forsaken Cowboyoriginal3A · 157
Against the original (3A at 157 BPM), this version holds the same tempo in the same key.
Forsaken Cowboy - Radio Edit is a fast downtempo track in B♭ minor (3A) at 157 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2010 production that still circulates in sets. Faster than 96% of Röyksopp's catalogue.
- Low end:
- more bass-heavy than 80% of Röyksopp's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Forsaken Cowboy - Radio Edit in?
Forsaken Cowboy - Radio Edit by Röyksopp is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Forsaken Cowboy - Radio Edit?
Forsaken Cowboy - Radio Edit runs at 157 BPM, a fast track.
What mixes well with Forsaken Cowboy - Radio Edit?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Forsaken Cowboy - Radio Edit good for peak time?
With energy 51 out of 100 at 157 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 157 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 148-166 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 157 — beatmatch without a big tempo pull.
More downtempo
More from Röyksopp
Full profile
![Running to the Sea [True Electric] by Röyksopp cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/64b848dce166c205ea2f.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 157 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
