Liquefaction by Four Tet cover art

Liquefaction

Four Tet

30s preview

Key
3B · D♭ major
BPM
157
Half-time
79
Open Key
8d
Energy
43/100
Pop
16/100
Length
4:59
Released
1999
Album
Dialogue
Genre
Downtempo
Label
Output
Loudness
-9.9 dB
Dynamics
14.4 dB
ISRC
GBXNG0699006

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A fast downtempo cut, Liquefaction sits in D♭ major (3B) at 157 BPM. The feel is balanced in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 1999 production that still circulates in sets. Faster than 91% of Four Tet's catalogue. In a set it works best as a warm-up or breakdown cut.

Energy:
calmer than 77% of Four Tet's catalogue
Brightness:
brighter than 75% of Four Tet's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy43
Mood55Balanced
Groove57
Acoustic28
Instrumental88
Live8
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Liquefaction in?

Liquefaction by Four Tet is in D♭ major, or 3B on the Camelot wheel.

What BPM is Liquefaction?

Liquefaction runs at 157 BPM, a fast track.

What mixes well with Liquefaction?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Liquefaction good for peak time?

With energy 43 out of 100 at 157 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#Track

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 157 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 148-166 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 157 — beatmatch without a big tempo pull.

#Track

More downtempo

#Track

More from Four Tet

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 157 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track