Slave to the Inevitable by Regis cover art

Slave to the Inevitable

Regis

Key
2B · F♯ major
BPM
79
Double-time
158
Open Key
7d
Energy
45/100
Pop
4/100
Length
2:58
Released
2001
Genre
Techno
Loudness
-20.9 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 79 BPM in F♯ major (2B), Slave to the Inevitable is a techno production. It reads as dark and steady. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2001 production that still circulates in sets. Slower than 94% of Regis's catalogue. For programming, treat it as a warm-up or breakdown cut.

Energy:
calmer than 86% of Regis's catalogue
Groove:
less groove-driven than 84% of Regis's catalogue
Reach:
better known than 79% of Regis's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy45
Mood18Dark
Groove42
Acoustic40
Instrumental83
Live10
Speech16

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Slave to the Inevitable in?

Slave to the Inevitable by Regis is in F♯ major, or 2B on the Camelot wheel.

What BPM is Slave to the Inevitable?

Slave to the Inevitable runs at 79 BPM.

What mixes well with Slave to the Inevitable?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Slave to the Inevitable good for peak time?

With energy 45 out of 100 at 79 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 79 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 74-84 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 79 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 79 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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