Begrüßung und Buntspecht
30s preview
- Key
- 1B · B major
- BPM
- 75
- Double-time
- 150
- Open Key
- 6d
- Energy
- 52/100
- Pop
- 0/100
- Length
- 1:16
- Released
- 2007
- Genre
- Minimal
- Loudness
- -22.6 dB
- Dynamics
- 18.0 dB
- ISRC
- DEBW20700029
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 75 BPM in B major (1B), Begrüßung und Buntspecht is a minimal production. It is vocal-led. Spoken-word passages run through it. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). A 2007 production that still circulates in sets. More underground than 99% of Dominik Eulberg's catalogue.
- Tempo:
- slower than 93% of Dominik Eulberg's catalogue
- Low end:
- more treble-tilted than 92% of Dominik Eulberg's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Begrüßung und Buntspecht in?
Begrüßung und Buntspecht by Dominik Eulberg is in B major, or 1B on the Camelot wheel.
What BPM is Begrüßung und Buntspecht?
Begrüßung und Buntspecht runs at 75 BPM.
What mixes well with Begrüßung und Buntspecht?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Begrüßung und Buntspecht good for peak time?
With energy 52 out of 100 at 75 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 75 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 70-80 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 75 — beatmatch without a big tempo pull.
More minimal
More from Dominik Eulberg
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 75 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
