Another Kind of Love
30s preview
- Key
- 6A · G minor
- BPM
- 75
- Double-time
- 150
- Open Key
- 11m
- Energy
- 40/100
- Pop
- 1/100
- Length
- 3:04
- Released
- 2020
- Genre
- Techno
- Loudness
- -10.9 dB
- Dynamics
- 13.8 dB
- ISRC
- GBE5X2000120
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A techno cut, Another Kind of Love sits in G minor (6A) at 75 BPM. The feel is dark and steady. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Less groove-driven than 99% of Regis's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Brightness:
- darker than 98% of Regis's catalogue
- Tempo:
- slower than 97% of Regis's catalogue
- Energy:
- calmer than 88% of Regis's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Another Kind of Love in?
Another Kind of Love by Regis is in G minor, or 6A on the Camelot wheel.
What BPM is Another Kind of Love?
Another Kind of Love runs at 75 BPM.
What mixes well with Another Kind of Love?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Another Kind of Love good for peak time?
With energy 40 out of 100 at 75 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 75 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 70-80 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 75 — beatmatch without a big tempo pull.
More techno
More from Regis
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 75 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
