Gravity (feat. Laura Korinth) - Nick Schwenderling Piano Edit
30s preview
- Key
- 7A · D minor
- BPM
- 142
- Half-time
- 71
- Open Key
- 12m
- Energy
- 24/100
- Pop
- 32/100
- Length
- 2:46
- Released
- 2019
- Album
- Gravity (feat. Laura Korinth)
- Genre
- Techno
- Loudness
- -13.6 dB
- Dynamics
- 15.2 dB
- ISRC
- USUS11900299
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Gravity (feat. Laura Korinth) - Editversion9B · 125
- Gravityoriginal9B · 125
Against the original (9B at 125 BPM), this version runs 17 BPM faster and moves the key from 9B to 7A.
Gravity (feat. Laura Korinth) - Nick Schwenderling Piano Edit is a driving up-tempo techno track in D minor (7A) at 142 BPM. The feel is brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Calmer than 99% of Boris Brejcha's catalogue.
- Tempo:
- faster than 99% of Boris Brejcha's catalogue
- Groove:
- less groove-driven than 99% of Boris Brejcha's catalogue
- Low end:
- more treble-tilted than 99% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Gravity (feat. Laura Korinth) - Nick Schwenderling Piano Edit in?
Gravity (feat. Laura Korinth) - Nick Schwenderling Piano Edit by Boris Brejcha is in D minor, or 7A on the Camelot wheel.
What BPM is Gravity (feat. Laura Korinth) - Nick Schwenderling Piano Edit?
Gravity (feat. Laura Korinth) - Nick Schwenderling Piano Edit runs at 142 BPM, a driving up-tempo track.
What mixes well with Gravity (feat. Laura Korinth) - Nick Schwenderling Piano Edit?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Gravity (feat. Laura Korinth) - Nick Schwenderling Piano Edit good for peak time?
With energy 24 out of 100 at 142 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 142 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More techno
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
