Als Er Den Gleissenden Rand Seines Schattens Sah by Dominik Eulberg cover art

Als Er Den Gleissenden Rand Seines Schattens Sah

Dominik Eulberg

30s preview

Key
7B · F major
BPM
70
Double-time
140
Open Key
12d
Energy
4/100
Pop
0/100
Length
2:49
Released
2012
Genre
Tech House
Loudness
-23.6 dB
Dynamics
17.7 dB
ISRC
DEBW21200255

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Als Er Den Gleissenden Rand Seines Schattens Sah: tech house, F major (7B), 70 BPM. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). A 2012 production that still circulates in sets. Calmer than 99% of Dominik Eulberg's catalogue. For programming, treat it as a warm-up or breakdown cut.

Reach:
more underground than 99% of Dominik Eulberg's catalogue
Tempo:
slower than 96% of Dominik Eulberg's catalogue
Brightness:
darker than 93% of Dominik Eulberg's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy4
Mood4Dark
Groove34
Acoustic97
Instrumental90
Live14
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
42%
Low-mid
130-570 Hz
27%
Upper-mid
570 Hz-2.5 kHz
2%
High
2.5-11 kHz

FAQ

What key is Als Er Den Gleissenden Rand Seines Schattens Sah in?

Als Er Den Gleissenden Rand Seines Schattens Sah by Dominik Eulberg is in F major, or 7B on the Camelot wheel.

What BPM is Als Er Den Gleissenden Rand Seines Schattens Sah?

Als Er Den Gleissenden Rand Seines Schattens Sah runs at 70 BPM.

What mixes well with Als Er Den Gleissenden Rand Seines Schattens Sah?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is Als Er Den Gleissenden Rand Seines Schattens Sah good for peak time?

With energy 4 out of 100 at 70 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 70 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 66-74 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 70 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 70 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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