Coilplume by Jamie Stevens cover art

Coilplume

Jamie Stevens

Key
2B · F♯ major
BPM
140
Half-time
70
Open Key
7d
Energy
24/100
Pop
2/100
Length
2:47
Released
2025
Genre
Progressive House
Loudness
-24.5 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Coilplume: driving up-tempo progressive house, F♯ major (2B), 140 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 99% of Jamie Stevens's catalogue.

Tempo:
faster than 99% of Jamie Stevens's catalogue
Groove:
less groove-driven than 98% of Jamie Stevens's catalogue
Brightness:
darker than 96% of Jamie Stevens's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy24
Mood4Dark
Groove14
Acoustic86
Instrumental79
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Coilplume in?

Coilplume by Jamie Stevens is in F♯ major, or 2B on the Camelot wheel.

What BPM is Coilplume?

Coilplume runs at 140 BPM, a driving up-tempo track.

What mixes well with Coilplume?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Coilplume good for peak time?

With energy 24 out of 100 at 140 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#Track

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 140 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

More progressive house

More from Jamie Stevens

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track