Duolism - Two Two
30s preview
- BPM
- 137
- Open Key
- 5m
- Energy
- 28/100
- Pop
- 2/100
- Length
- 3:57
- Released
- 2022
- Album
- DUOII
- Genre
- House
- Loudness
- -13.6 dB
- Dynamics
- 13.7 dB
- ISRC
- NOWAJ2216050
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Duolism - One Twooriginal11A · 160
- Duolism - One Twooriginal11A · 160
At 137 BPM in D♭ minor (12A), Duolism - Two Two is a driving up-tempo house production. The feel is brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Faster than 90% of Henrik Schwarz's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more treble-tilted than 89% of Henrik Schwarz's catalogue
- Energy:
- calmer than 85% of Henrik Schwarz's catalogue
- Groove:
- less groove-driven than 82% of Henrik Schwarz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Duolism - Two Two in?
Duolism - Two Two by Henrik Schwarz is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Duolism - Two Two?
Duolism - Two Two runs at 137 BPM, a driving up-tempo track.
What mixes well with Duolism - Two Two?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Duolism - Two Two good for peak time?
With energy 28 out of 100 at 137 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 137 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
More house
More from Henrik Schwarz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
