6AM (interlude) by Biscits cover art

6AM (interlude)

Biscits

Key
3B · D♭ major
BPM
68
Double-time
136
Open Key
8d
Energy
27/100
Pop
3/100
Length
1:09
Released
2022
Genre
Tech House
Loudness
-13.3 dB
ISRC
ZZOPM2237430

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

6AM (interlude) is a tech house track in D♭ major (3B) at 68 BPM. It reads as brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 99% of Biscits's catalogue. In a set it works best as a warm-up or breakdown cut.

Tempo:
slower than 99% of Biscits's catalogue
Groove:
less groove-driven than 99% of Biscits's catalogue
Brightness:
darker than 99% of Biscits's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy27
Mood4Dark
Groove30
Acoustic91
Instrumental73
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
27%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is 6AM (interlude) in?

6AM (interlude) by Biscits is in D♭ major, or 3B on the Camelot wheel.

What BPM is 6AM (interlude)?

6AM (interlude) runs at 68 BPM.

What mixes well with 6AM (interlude)?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is 6AM (interlude) good for peak time?

With energy 27 out of 100 at 68 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 68 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 64-72 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 68 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 68 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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