Where Would You Be? - Loopapella
- BPM
- 134
- Open Key
- 7d
- Energy
- 15/100
- Pop
- 0/100
- Length
- 3:36
- Released
- 2009
- Album
- Where Would You Be?
- Genre
- Tech House
- Loudness
- -20.7 dB
- ISRC
- DEDL80900357
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Where Would You Be? (Version 1)original11B · 123
- Where Would You Be? - Version 2original10B · 123
Where Would You Be? - Loopapella: peak-time tempo tech house, F♯ major (2B), 134 BPM. The mix is almost entirely instrumental. Spoken-word passages run through it. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. Calmer than 99% of Marc Romboy's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Marc Romboy's catalogue
- Tempo:
- faster than 93% of Marc Romboy's catalogue
- Brightness:
- darker than 83% of Marc Romboy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Where Would You Be? - Loopapella in?
Where Would You Be? - Loopapella by Marc Romboy is in F♯ major, or 2B on the Camelot wheel.
What BPM is Where Would You Be? - Loopapella?
Where Would You Be? - Loopapella runs at 134 BPM, a peak-time tempo track.
What mixes well with Where Would You Be? - Loopapella?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Where Would You Be? - Loopapella good for peak time?
With energy 15 out of 100 at 134 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 134 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More tech house
More from Marc Romboy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
