At the Window - Cinematic Shades Edit
- Key
- 7B · F major
- BPM
- 66
- Double-time
- 132
- Open Key
- 12d
- Energy
- 20/100
- Pop
- 0/100
- Length
- 1:46
- Released
- 2008
- Album
- Cinematic Shades [The Slow Songs]
- Genre
- Tech House
- Loudness
- -17.2 dB
- ISRC
- DEBE70800186
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At the Window - Cinematic Shades Edit runs 66 BPM in F major (7B), a tech house record. The feel is brooding and low-slung. It leans atmospheric over strictly danceable. The master keeps real dynamic headroom. A 2008 production that still circulates in sets. Calmer than 99% of Booka Shade's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- slower than 99% of Booka Shade's catalogue
- Groove:
- less groove-driven than 99% of Booka Shade's catalogue
- Reach:
- more underground than 99% of Booka Shade's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is At the Window - Cinematic Shades Edit in?
At the Window - Cinematic Shades Edit by Booka Shade is in F major, or 7B on the Camelot wheel.
What BPM is At the Window - Cinematic Shades Edit?
At the Window - Cinematic Shades Edit runs at 66 BPM.
What mixes well with At the Window - Cinematic Shades Edit?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is At the Window - Cinematic Shades Edit good for peak time?
With energy 20 out of 100 at 66 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 66 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 62-70 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 66 — beatmatch without a big tempo pull.
More tech house
More from Booka Shade
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 66 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
