Rindenschröter
30s preview
- Key
- 8B · C major
- BPM
- 65
- Double-time
- 130
- Open Key
- 1d
- Energy
- 28/100
- Pop
- 8/100
- Length
- 2:29
- Released
- 2024
- Genre
- Tech House
- Loudness
- -22.2 dB
- Dynamics
- 14.7 dB
- ISRC
- DEEK22400115
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A tech house cut, Rindenschröter sits in C major (8B) at 65 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Slower than 99% of Dominik Eulberg's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 98% of Dominik Eulberg's catalogue
- Brightness:
- darker than 98% of Dominik Eulberg's catalogue
- Energy:
- calmer than 84% of Dominik Eulberg's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 40%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Rindenschröter in?
Rindenschröter by Dominik Eulberg is in C major, or 8B on the Camelot wheel.
What BPM is Rindenschröter?
Rindenschröter runs at 65 BPM.
What mixes well with Rindenschröter?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Rindenschröter good for peak time?
With energy 28 out of 100 at 65 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 65 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 61-69 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 65 — beatmatch without a big tempo pull.
More tech house
More from Dominik Eulberg
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 65 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
