Mutant Pop
30s preview
- Key
- 7B · F major
- BPM
- 128
- Open Key
- 12d
- Energy
- 29/100
- Pop
- 0/100
- Length
- 7:35
- Released
- 2005
- Genre
- Tech House
- Loudness
- -13.7 dB
- Dynamics
- 12.0 dB
- ISRC
- DEBW20500117
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mutant Poporiginal7B · 128
Mutant Pop: peak-time tempo tech house, F major (7B), 128 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2005 production that still circulates in sets. More underground than 99% of Patrice Bäumel's catalogue.
- Energy:
- calmer than 98% of Patrice Bäumel's catalogue
- Brightness:
- brighter than 87% of Patrice Bäumel's catalogue
- Tempo:
- faster than 85% of Patrice Bäumel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Mutant Pop in?
Mutant Pop by Patrice Bäumel is in F major, or 7B on the Camelot wheel.
What BPM is Mutant Pop?
Mutant Pop runs at 128 BPM, a peak-time tempo track.
What mixes well with Mutant Pop?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Mutant Pop good for peak time?
With energy 29 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 128 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Patrice Bäumel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
