Missing
- Key
- 7A · D minor
- BPM
- 128
- Open Key
- 12m
- Energy
- 24/100
- Pop
- 1/100
- Length
- 4:55
- Released
- 2002
- Genre
- Tech House
- Loudness
- -11.9 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo tech house cut, Missing sits in D minor (7A) at 128 BPM. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. A 2002 production that still circulates in sets. Less groove-driven than 95% of Fisher's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 91% of Fisher's catalogue
- Brightness:
- darker than 89% of Fisher's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Missing in?
Missing by Fisher is in D minor, or 7A on the Camelot wheel.
What BPM is Missing?
Missing runs at 128 BPM, a peak-time tempo track.
What mixes well with Missing?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Missing good for peak time?
With energy 24 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 128 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Fisher
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
