Put It Down (outro) by Biscits cover art

Put It Down (outro)

Biscits

Key
2A · E♭ minor
BPM
126
Open Key
7m
Energy
23/100
Pop
3/100
Length
1:34
Released
2022
Genre
Tech House
Loudness
-15.1 dB
ISRC
ZZOPM2237438

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo tech house cut, Put It Down (outro) sits in E♭ minor (2A) at 126 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Calmer than 99% of Biscits's catalogue. In a set it works best as a warm-up or breakdown cut.

Low end:
more bass-heavy than 99% of Biscits's catalogue
Groove:
less groove-driven than 98% of Biscits's catalogue
Brightness:
darker than 79% of Biscits's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy23
Mood45Balanced
Groove60
Acoustic95
Instrumental1
Live27
Speech12

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
48%
Low
30-130 Hz
35%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
1%
High
2.5-11 kHz

FAQ

What key is Put It Down (outro) in?

Put It Down (outro) by Biscits is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Put It Down (outro)?

Put It Down (outro) runs at 126 BPM, a club-tempo track.

What mixes well with Put It Down (outro)?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Put It Down (outro) good for peak time?

With energy 23 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 126 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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