Doomed - Gary Beck Remix
- BPM
- 125
- Open Key
- 7d
- Energy
- 23/100
- Pop
- 0/100
- Length
- 6:43
- Released
- 2017
- Album
- Doomed, Pt. 1
- Genre
- Techno
- Loudness
- -14.4 dB
- ISRC
- UKACT1612865
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Doomedoriginal8B · 127
- Doomed - Gary Beck Remixremix2B · 125
- Doomedoriginal8B · 127
- Doomed - Gary Beck Remixremix2B · 125
Against the original (8B at 127 BPM), this version runs 2 BPM slower and moves the key from 8B to 2B.
Doomed - Gary Beck Remix: club-tempo techno, F♯ major (2B), 125 BPM. Tonally it lands subdued and even. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Calmer than 99% of Nihil Young's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Nihil Young's catalogue
- Groove:
- groovier than 97% of Nihil Young's catalogue
- Brightness:
- brighter than 77% of Nihil Young's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Doomed - Gary Beck Remix in?
Doomed - Gary Beck Remix by Nihil Young is in F♯ major, or 2B on the Camelot wheel.
What BPM is Doomed - Gary Beck Remix?
Doomed - Gary Beck Remix runs at 125 BPM, a club-tempo track.
What mixes well with Doomed - Gary Beck Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Doomed - Gary Beck Remix good for peak time?
With energy 23 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 125 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Nihil Young
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
