The Ubiquitous Dr Pook
30s preview
- BPM
- 125
- Open Key
- 8d
- Energy
- 23/100
- Pop
- 0/100
- Length
- 4:57
- Released
- 2015
- Album
- Totally Mobilee - Rodriguez Jr. Collection, Vol. 2
- Genre
- Tech House
- Loudness
- -10.9 dB
- Dynamics
- 10.6 dB
- ISRC
- DECL11100346
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Ubiquitous Dr Pookoriginal3B · 125
At 125 BPM in D♭ major (3B), The Ubiquitous Dr Pook is a club-tempo tech house production. The feel is subdued and even. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. Calmer than 99% of Rodriguez Jr.'s catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Rodriguez Jr.'s catalogue
- Groove:
- groovier than 96% of Rodriguez Jr.'s catalogue
- Low end:
- more bass-heavy than 91% of Rodriguez Jr.'s catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is The Ubiquitous Dr Pook in?
The Ubiquitous Dr Pook by Rodriguez Jr. is in D♭ major, or 3B on the Camelot wheel.
What BPM is The Ubiquitous Dr Pook?
The Ubiquitous Dr Pook runs at 125 BPM, a club-tempo track.
What mixes well with The Ubiquitous Dr Pook?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is The Ubiquitous Dr Pook good for peak time?
With energy 23 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Rodriguez Jr.
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
