Sea of Sound (Ambient Rework)
30s preview
- BPM
- 126
- Open Key
- 8m
- Energy
- 16/100
- Pop
- 0/100
- Length
- 6:29
- Released
- 2010
- Album
- Expressions Remixes
- Genre
- Techno
- Loudness
- -19.8 dB
- Dynamics
- 13.3 dB
- ISRC
- DEBW21000270
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sea of Soundoriginal3B · 126
Against the original (3B at 126 BPM), this version holds the same tempo and moves the key from 3B to 3A.
Sea of Sound (Ambient Rework) is a club-tempo techno track in B♭ minor (3A) at 126 BPM. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2010 production that still circulates in sets. More underground than 99% of Max Cooper's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 95% of Max Cooper's catalogue
- Low end:
- more bass-heavy than 94% of Max Cooper's catalogue
- Groove:
- less groove-driven than 90% of Max Cooper's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 43%
- Low-mid
- 130-570 Hz
- 10%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Sea of Sound (Ambient Rework) in?
Sea of Sound (Ambient Rework) by Max Cooper is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Sea of Sound (Ambient Rework)?
Sea of Sound (Ambient Rework) runs at 126 BPM, a club-tempo track.
What mixes well with Sea of Sound (Ambient Rework)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Sea of Sound (Ambient Rework) good for peak time?
With energy 16 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Max Cooper
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
