Der Traum vom Fliegen
- BPM
- 127
- Open Key
- 8m
- Energy
- 15/100
- Pop
- 0/100
- Length
- 6:58
- Released
- 2006
- Genre
- Tech House
- Loudness
- -13.2 dB
- ISRC
- DEQ200700286
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Der Traum vom Fliegen is a peak-time tempo tech house track in B♭ minor (3A) at 127 BPM. It reads as brooding and low-slung. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2006 production that still circulates in sets. More underground than 99% of Dominik Eulberg's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 93% of Dominik Eulberg's catalogue
- Groove:
- groovier than 91% of Dominik Eulberg's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Der Traum vom Fliegen in?
Der Traum vom Fliegen by Dominik Eulberg is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Der Traum vom Fliegen?
Der Traum vom Fliegen runs at 127 BPM, a peak-time tempo track.
What mixes well with Der Traum vom Fliegen?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Der Traum vom Fliegen good for peak time?
With energy 15 out of 100 at 127 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Dominik Eulberg
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
