Passage In (In Key) by Richie Hawtin cover art

Passage In (In Key)

Richie Hawtin

30s preview

Key
3B · D♭ major
BPM
63
Double-time
126
Open Key
8d
Energy
17/100
Pop
27/100
Length
1:05
Released
2022
Album
Consumed In Key
Genre
Techno
Loudness
-34.7 dB
Dynamics
18.1 dB
ISRC
CAM262100003

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 63 BPM in D♭ major (3B), Passage In (In Key) is a techno production. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). Slower than 99% of Richie Hawtin's catalogue. In a set it works best as a warm-up or breakdown cut.

Brightness:
darker than 98% of Richie Hawtin's catalogue
Groove:
less groove-driven than 95% of Richie Hawtin's catalogue
Reach:
better known than 94% of Richie Hawtin's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy17
Mood3Dark
Groove18
Acoustic66
Instrumental10
Live88
Speech16

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
28%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Passage In (In Key) in?

Passage In (In Key) by Richie Hawtin is in D♭ major, or 3B on the Camelot wheel.

What BPM is Passage In (In Key)?

Passage In (In Key) runs at 63 BPM.

What mixes well with Passage In (In Key)?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Passage In (In Key) good for peak time?

With energy 17 out of 100 at 63 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 63 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 59-67 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 63 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 63 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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